Born in 1588, Ole Worm — also known as Ole Wurm or Olaus Worm — was a Danish savant who became a professor of Latin, Greek, medicine and physics. Growing up, he enjoyed an exceptional education, traveling to Germany, Italy, France, England, Belgium, Luxembourg and the Netherlands. He studied under the famous taxonomist Caspar Bauhin, visited the famous cabinet of Ferrante Imperato, and modeled himself after the famous Aldrovandi.
Worm's interests covered natural objects, human artifacts, mythical creatures and ancient inscriptions. He built one of the most well-known curiosity cabinets in Europe, and in 1655 posthumously published Museum Wormianum, or History of the Rarer Things both Natural and Artificial, Domestic and Exotic, which the author collected in his house in Copenhagen.
Worm passed along remarkable stories if he believed they came from reliable sources, describing the wondrous attributes of bezoar stones grown inside animal bodies, for instance. Yet he also advocated investigations of unusual objects where possible. Not surprisingly, he considered the authority of ancient "experts" a hindrance to clear thinking. Worm was among the first to establish that the "unicorn horn" and narwhal tusks were actually one and the same, as he explained in a dissertation he delivered in 1638. He also disproved the spontaneous generation of lemmings (thought to fall from the sky, perhaps), though he didn't doubt the spontaneous generation of some other organisms.
Beyond his contributions to natural history, Worm laid the foundations of modern archaeological surveys, recommending assiduous collection of information from every archaeological site. Some historians have argued that Worm's collection might have spurred the interest of the young Niels Stensen (Steno), who in turn laid the foundations for modern geology. Steno grew up just a few streets away from Worm's curiosity cabinet. Unfortunately, Worm's collection did not outlast him very long. His small museum was shuttered after his death, the specimens sent to other collections. Some of the objects likely landed in the Royal Danish Kunstkammer, which Steno did visit, probably more than once.
Narrative text and graphic design © by Michon Scott - Updated August 3, 2012